Utagawa Yoshiiku
(1833 - 1904)
and Gengyo (1817 - 1880)

Imayo Nazorae Genji
Modern comparison of the Tale of Genji

Chapter 11: Hana-chiru-sato / Nagoya Sanza Motoharu
Signature: Ikkeisai Yoshiiku ga, Gengyo ga
Publisher: Omiya Hisagiro
Date: c.1863-1864
oban tate-e

Sadanobu I
(1809 - 1879)

after Hiroshige

Omi hakkei / The Eight Views of Lake Biwa

Sadanobu copied the landscape from the second volume of Hiroshige's "Album of Cursive Drawings of Ryusai", c. 1850
(see print below)

Signature: Sadanobu ga
Format: album pages, approx. 15,5 x 20 cm
Lit.: Matthi Forrer "Hiroshige - Prints and Drawings", Royal Academy of Arts, London, 2007, plate 88

Hiroshige's image © Collection Pulverer and Prestel publisher

Bildunterschrift hinzufügen

ANDO HIROSHIGE
(1797 - 1858)

Arashiyama manka / Cherry Trees in Full Bloom at Arashiyama

Series: Kyoto meisho no uchi / Famous Views of Kyoto
Signature: Hiroshige ga
Publisher: Kawaguchiya Shozo (Eisendo)
Date: c.1834
Censorship seal: kiwame
Format: Oban, 24 x 37,3 cm
Lit.: Matthi Forrer "Hiroshige - Prints and Drawings", Royal Academy of Arts, London, 2007, plate 52
Gian Carlo Calza "Hiroshige: Master of Nature", Skira, 2009, p. 113 fig.148
Stephan von der Schulenburg "Helden der Bühne und Schönheiten der Nacht" Museum für Angewandte Kunst,2009, p.262 fig 214

Hirosada
(active 1820 - 1860)

Signature: Hirosada
Actors / roles (from right to left): Mimasu Daigoro IV as Fuwa Banzaemon, Arashi Rikan II as the courtesan Katsuragi, Kataoko Gado II as Nagoya Sanza, ?,?
Play: Ukiyozuka hiyoku no inazuma (Scabbards brushing in the Yoshiwara)
Publisher:
Date: c.1848
Foramt: chuban pentaptych (complete set)
Lit.: Arendie Herwig and Henk J. Herwig "Heroes of the Kabuki Stage (...)", 2005, p.74

Sadahiro
(active after 1850)

mameban deluxe tetraptych.each approx. 8 x 11 cm